Sampling the ideas and try it out in interior designing and decoration

Don’t risks letting any of the good ideas running through your head get lost in the water? And make sure you can read your own handwriting. Hieroglyphics are even more confusing. 6 How to Plan for a Makeover

  1. Snap a Photo Take a “before” picture of the room. You’ll want to remember it the way it was because it’s going to be oh so much better! Okay, now you only have eleven more steps to go.
  2. Assess what you Like and What You Don’t Like Make two lists: one for what you like about the room and one for what you don’t like. This is just to get a general sense of what needs to change.

The furniture?
The wall colors?
The window treatments?
The floor?
Now is the time to consider whether you can live with the shag carpeting left behind by the former owner or if it’s time to put in hardwood floors and a few throw rugs. Walk around the room and look at its construction. Are there any awkward spaces? Does the room have symmetry or are the windows and doors out of balance? Before you can decide on the specific changes you want to make, get a read on the big picture. What are the purpose of each room, and what about that room is and isn’t working now? 3. Save Four Things choose four things that you want to keep when you make over the room. There are probably a few items that still appeal to you or that you feel you just can’t let go of. It might be a piece of furniture, a work of art, a rug, a lamp.
If you’ve got to be crazy, go ahead and pick six. But here’s the thing. Sometimes people have a tough time getting rid of stuff that they’ve had forever. But if it doesn’t have sentimental value and it wasn’t handed down by a grandparent or an uncle Can this chair be saved? A little reupholstering should do the trick.
One of my first major design-and-build projects was a three-story tree house (with a sundeck) that I created in my backyard when I was eleven years old. To get other kids in the neighborhood to work on it with me- kids whose dads had better tools than mine -I took a page from Tom Sawyer and bartered, trading comic books for their help. I remember the bond I felt with those kids while we built that tree house together, and it’s the same feeling I get today working with not only the EMHE team, but also the hundreds of local contractors and volunteers that help us do our job. I like to have as much fun as possible when I’m working, and I’ve found that bringing in a How to Plan for a room Makeover crowd to help makes a project livelier and even gets you better results.

office interior designing and decoration tips and guide

You’ll love a room, even something as utilitarian as an office, so much more if you put your heart and soul into it. Start with a Style Folder I’m always working. Even when I’m not involved in a specific project, I’m keeping an eye out for things I like: layouts from home decor magazines, pages from art and design books, fabric swatches, samples of colors and textures I dig, photographs of clothes with patterns that look great, brochures from hotels, snapshots of rooms, signs, art, restaurants, gardens, lobbies. I save anything that I think is awesome- looking and that might serve as design inspiration at some point. (I also collect airsickness bags from planes, but that’s another story.)
When it comes to redoing a room, there’s one word I can’t reiterate enough: research, research, research. Just to stay organized, I file everything in a “style folder.” You don’t have to create a style folder with one particular project in mind-simply collect things you admire with the hope that they’ll one day be useful. If you just toss in everything that catches your eye, you’ll probably see a certain look start to emerge. You might not have been aware that you were drawn to certain colors, patterns, or types of furniture.
How to Plan for an interior Makeover Magazines are a great place to start. If you have your own subscription, you can just rip out the pages and file them away without having to save stacks and stacks of issues. Also look at as many home design books as possible. When the costs get prohibitive, see what your library has on hand (and if its selection is small, see if they can borrow from other branch. When you’re saving things, though, don’t think only about pictures; think about texture, too. Start touching things. Feel the difference between linen and Egyptian cotton, burlap and velour, and whenever you can toss samples of textures you like into your style folder, do so. (It would ‘probably be bad form to shear off a piece of the bedspread in your cousin’s guest room, so just write down the fabric type and what you liked about it then tuck that note into your folder.)
There are a lot of ways to make a style folder. You can dump everything into an accordion folder. I like to take photos of everything from fabrics to magazine spreads with my digital camera and upload them onto my computer. (You can also scan things directly into your computer and skip the photographing part.) This lets me organize everything into files on my desktop, print out whatever I want, and take it with me when I need to. Just remember to back up your hard drive. That’s a lesson I don’t want to learn again. Fixing them is hard and it will drive you crazy. Good times! The Twelve Steps Making over Interior a room can be a messy job and I’m not just talking about the paint, dust, stray bolts and nails, and all that other stuff that gets all over the floor.
I mean that there’s a mess of things you have to think about and a mess of ideas you have to juggle. It’s easy to forget things or make mistakes. Sometimes mistakes are no big deal, and in fact, you can even end up going in a different and better direction because of a mistake. But more often mistakes are costly or, at the very least, frustrating, so try to avoid them from the start. Because of the intense nature of EMHE, and, let’s be honest, the intense nature of me, I probably seem like I’m all over the place on TV.  I’m actually a pretty methodical guy and this is one place-the planning stage-where being methodical definitely pays off. That’s what these twelve steps are for. Think of them as your guide to getting organized (and preventing future screw-ups). And here’s a tip: Write down everything.

Hiring specialists for interior designing and decoration

A compromise could be to do most of the groundwork yourself and hire in specialists, such as plasterers, plumbers or electricians, where necessary. Working much faster than an amateur is able to, skilled professionals can save a lot of time and worry. If you decide that hiring a professional is the answer, whether an architect, general builder or specialist, going about it in a businesslike manner will help ensure you get what you want and avoid potential pitfalls. Left Plans for a kitcben project, shoicing early stages of thinking. Ideas are sketched ill roughly to show suggestions for use of space, [ixtures and [ittings.
Choosing the right professional for the job For large-scale projects, such as major structural alteration or building an extension, it is wise to consult an architect. An architect will discuss your plans with you, be able to make constructive suggestions you had not considered and produce structurally sound designs that also look good. In addition, he or she can submit the necessary planning applications and, if desired, hire the building contractor and supervise the work to ensure it meets the specifications. When hiring a builder yourself it is essential to choose a reliable and reputable person who understands your requirements and can do the job competently within a specified time and according to a budget.
Finding such a builder can be a daunting prospect but thankfully, and in spite of the many horror stories of shoddy work and unexplained absences, there are many reliable ones about. Personal recommendation is a good place to start. If you know someone who has recently engaged a builder, ask to see their work and enquire about how they conducted the job. Failing that, the names of builders can be found in telephone directories and local newspapers. Not all builders do all kinds of work, however, so be prepared for some refusals. Look for contractors who are members of a trade association. Although membership does not necessarily guarantee the work, it usually is dependent on a having a sound reputation as well as bank and insurance references.
A good tradesman is proud of his work and will be pleased to supply you with references for you to follow up where you can inspect examples of his workmanship. Ask more than one contractor for an estimate so that you can compare costs. Estimates will be based on current prices, and may have to change if you do not decide to go ahead with the work straightwaway.
Cost will not be the only criterion in deciding which builder to use. Their attitude and your confidence in their ability to do the job are equally important. Establishing the brief Disagreements between builder and client often arise from a misundertanding as the result of inadequate briefing. The builder may be working to the best of his understanding which, unfortunately, is not what the client had intended. The best way to avoid this problem is to provide the bui Ider with a written specification – a list of the work to be done, the materials to be used and an indication of the required completion date. Many details will need to be revised, but this will give the builder a good idea of your requirements and can form the basis of his estimate for the cost. Before writing a specification, read the relevant chapter in this book to get an idea of the amount and type of work involved.

Home makeover basics and thoughts

Ten Ways to Know That Your Home Needs a Makeover

  1. You wake up and can’t see the floor because clothing, books, and debris are everywhere.
  2. You can’t open the door of the closet because you’ve shoved so many things into it.
  3. You’re using plastic storage bins as dresser drawers and milk crates as furniture.
  4. You’ve made shelving out of cinder blocks and 1 x 12s.
  5. Your clothes are in garbage bags or in boxes still labeled “Closet.
  6. You’re sleeping on the floor with the moving blanket that you still have from when you first moved in.
  7. There’s absolutely no artwork up except pizza boxes.
  8. There are no blinds on your window, and the first thing that hits you in the morning is the bright sun, shining like a laser.
  9. You’re lying in bed, a bus goes by, and your whole house rattles and rolls, then a little bit of drywall falls off the ceiling and hits you on the head. (I speak from experience.)
  10. It’s the holidays, the family is coming to visit, and your mother-in-law or step- mom or grandparents walk in and the first thing they say is, “You know, we think we’ll get a hotel room.

I’ve done many things in life without planning ahead and with little forethought. I used to get plans for home makeovers written on napkins and then try to wing it. Sometimes it would all work out. Sometimes-well, let’s just say, better luck next time. Having done it both ways, I highly recommend going the premeditated game-plan route, even if you’re just doing a small design renovation. It may seem like we’re flying by the seat of our pants on EMHE, but we actually go in with a pretty well thought-out plan. And not with just an architectural plan, but with a design plan for each room.
Not every idea ends up working, and sometimes-make that a lot of times-we have to improvise at the last minute. But we wouldn’t get the results we do if we didn’t map out everything beforehand.
Prepping for a makeover can be boiled down to twelve steps (not those twelve steps, though sometimes they can help, too). A lot of what’s involved is simply looking at a room in a way that you’ve never looked at it before. Where are the windows? How high are the ceilings? What shape is the floor in? Make sure you’ve got a tape measure because you’re going to write down the room’s dimensions and draw up a floor plan. You’ve got to take some kind of measure of yourself: your passions, your personality, your memories, your fantasies, your sense of style, what makes you feel comfortable, what kind of mood you want to set-those things will all play a role in determining what the room is going to look like.

Wooden carving tutorials and guide for interior designing and decoration

To make the T-halving joint, saw down to the shoulder line using a series~f cuts and then chisel out tile Waste wood.  T-halving joints Like the corner-halving joint, this type of joint is also used for joining wood of the same thickness, but this time to form cross rails. Again, you need to measure and cut each piece to half its original thickness. • Construction The best way to approach a recess comprising a chimney breast and alcoves is to construct cupboards as identical units. An ideal width for doors is 60cm f24in) – this allows you to cut them from a 1.2m f4ft) sheet of blockboard without wastage for use ready-made doors).
If this width of door is not convenient for the space you have, determine the number and size of doors by measuring the distance from wall to wall and then calculating the number of same- size doors that fit, allowing space for them to open. • Above Wall-mounted shelves are an obvious storage solution when floor space is limited, but even a space too small for a traditional wardrobe can be adapted by using freestanding racking of the type shown here. Materials and equipment • Timber, blockboard, and plywood for fascias, battens, shelves, and doors • Ready-made doors, if preferred • Moulding • Wood saw • Tenon saw • Jig saw • Spirit level • Try square • Marking gauge • Smoothing plane • Power drill and masonry bit • Cramps • Adhesive • Pins, screws, and wallplugs • Hammer and screwdriver • Chisel • Angle brackets • Iron-on veneer • Hinges, handles, and magnetic catches • Paint or varnish and brushes o o Cut to length 7.5 x 2.scm f3 x 1 in) softwood for the fascia framework. Mark out and cut T-halving and corner- halving joints using a tenon saw and chisel. e Use pva woodworking adhesive and cramps to complete and secure the joints. Check with a try square before final tightening.
When the glue has set, trim the joints neatly using a smoothing plane. e Mark out and then cut 15 x 2.scm f6 x 1 in) softwood for the footboard. Screw it to the rear of the bottom frame, 12mm fXin) below the top edge. o Cut 12mm fXin) plywood shelves. Screw 2.5 x 2.scm f1 x 1 in) battens to the wall and check they are level. Screw battens to the side and rear walls and then fix plywood to the battens with panel pins. Punch the pins below the surface. Fix a batten to the rear of the frame on the horizontal e e member. Offer the frame up.
Pin the top shelf to the batten and the lower to the footboard. ” Cut out the top inner fascia board from 15 x 2.scm f6 x 1 in) softwood, using an electric jigsaw or tenon saw. You may have to join two pieces. G Screw angle brackets to the rear of the fascia board and screw it to the ceiling – use the right fixings for your ceiling. Fix the inner fascia board to the rear of the side frames. • Make up the central cupboard frame from 7.5 x 2.scm f3 x 1 in) softwood. Fix it in between the side frames using brackets. Then screw it to the inner fascia. o Screw 2.5 x 2.5cm f1 x 1 in) battens to the chimney breast wall, with inner edges aligning with those of the fascia. f) Cut and fix 18mm f%in) c • blockboard to enclose each cupboard.
Fix side panels using panel pins. C If required, cut the dressing table top from 18mm f%in) blockboard. Fix 2.5 x 2.5cm f1 x 1 in) battens to the sides of the cupboards and rear wall. batten to the front. Screw the top to the battens . • Fix hanging rail brackets to the end wall and the side of the chim- ney breast. Slot the pole into one bracket before fixing the other. f) Cut the doors to size from 1 8mm f%in) blockboard and add a decorative moulding to give a panelled effect – or use ready-mad doors adjusted to fit. If using blockboard, cover all exposed edges with veneer. Screw three 7.5cm f3in) flush hinges to each door, then fix to the frame. Fit doo handles and magnetic catches. Sand down the complete wardrobe ready for painting or varnishing. • • • • • o m m r s s ro n r n q rofessionals H aving decided on a repair or improvement project for the home, the next decision is whether ro do the job yourself or to call in a professional. Complicated or long projects may require expertise or time which the homeowner may not have but that does not mean that the whole job has to be turned over ro a contracror.

Wall decor by wood in interior designing and decoration

The carpenter guy
It was the perfect job for me. I got to build things and be my off-the-wall, wiseass self in front of the camera. Every week, though, we’d wait for the family to come home to see if they were going to like what we did to their house. And sometimes they definitely did not-infact; some people came home and cried. The shock value was a lot of fun, but I also thought it would be great to do a show where we do something for people who need help and who actually like what we do. I thought, “Why not cry for the right reason?” Enter Extreme Makeover: Home Edition. The producers asked me, “Do you think we can build a house in seven days?” and I said,” 0, but it would definitely be good television to try.” And so we did, and it’s been an absolutely amazing ride.
During that first episode, when an entire community, not to mention a couple hundred construction workers, five designers, and a production staff came together xiii g.   to make something incredible happen in one week, I thought, “I don’t know how well this is going to play on television, but I know that I have to do this again:’ The years I’ve spent working on EMHE as well as on my other ‘Job”-designing a line of home fashions for Sears- have helped me refine my ideas about what constitutes good design. More than anything, I think, good design artfully brings together practicality and emotion. It allows you to capture a mood -and that mood could be transcendental calm in, say, a bedroom or maybe wicked crazy fun in an entertainment room- without losing sight of the room’s real purpose.
With this book, I hope to get you to look at your home with fresh eyes and contemplate the possibilities. How can you integrate the things you are passionate about-whether it’s music and dance or nature or a particular culture-into the look of your home? How do you grab elements from a particular style and make them your own? I think you’ll find that it’s not that hard or expensive. You’re not going to have to leave the bank with a wheelbarrow in order to create a home that’s stylish and intimate. You’ll see.
It’s all incredibly doable. And the rewards are just fantastic. Take it from someone who has had the good fortune to help all kinds of families settle into stylish homes. Revamping your own rooms is going to be uplifting. It may even change your total outlook on life.

Fixtures and fittings on the wall in interior designing and decoration

How to fix the frames and fixtures on the wall?

In interior designing the fixtures making the room useful and most of the time they constitute a theme support. When fixing the fixtures and fittings in the wall in interior designing work, we must ensure the size and the color of the fittings suit the theme of the interior designing pattern and plan.
This might seem slightly weird if you, like most people, think of me as just a nail-and-hammer guy in interior designing work. I am a nail-and-hammer guy, but I have an extensive background in art and interior designing and decoration, and they’re my passion. Wow, did I just say the word passion? Didn’t expect that either, did you?.
Interior designing would not complete without fixtures and fittings on the wall.But we need to control ourselves to fix the fittings at a limit. It should not spoil the mood of the theme and must support the theme we select during interior designing planning. Room size and the ceiling height must be measured before choosing the size of the frames and fixtures. Interior designing and decoration with fixtures support the cause and it must be changing in nature to avoid the boredom.Easily removable fixtures and the frames and suitable replacements make the room fresh and new to the frequent visitors.
Art and paintings can be hoarded in the room or hall to make the interior rich and beautiful. It is not necessary the art and painting s from the rich and costly artists,simple art forms are available in the market to suit our needs and taste. When fixing various size fixtures in the room, we must ensure the sizes should make a rhythm. The overall theme of the interior designing should be ensured and not to be disturbed.
We can use acoustical soundproofing products and materials to make the room elegant and at the same time to make the room peaceful and quiet for our comfort. Properties like apartments and individual houses in real estate business doing interior designing and decoration before selling the flats to the consumers to make the flats more valuable and the value added marketing make the real estate business more lucrative.
Interior game offers complete information on interior designing and decoration for free. Interior designing tips and guide will be free for the readers.please contact us for the free tips on this site.

Unique interior designing projects by interior designers

Behind this book is to give you more of the inside scoop on what goes into each project as well as an insider’s view of “Ty’s secret rooms;’ the rooms that I personally create for families. I want to share my passion for intelligent, imaginative design and let you in on all the tricks for crafting unique, personal interiors that I’ve learned down (sometimes literally) in the trenches. By the end of this book, you’ll know exactly what it takes, from Step A to Step Z, to bring a little more style into your life. Unless you have the ABC network and your entire town standing by with a wrecking ball, it’s easier and far more affordable to tackle one or a few rooms at a time, so I’ve narrowed this book down to three high- impact areas of the house: bedrooms, living spaces, and work spaces.
I’m also going to talk about the elements of style that apply to all rooms, including what to look at before you leap (what stays, what goes, how to make a floor plan); how to decide what style you’re going to go for; and how to use color and texture in ways that are unexpected, but not insane. You don’t want it to look like you got inspiration from a clown college (though maybe Bozo Bohemian is your thing, which is fine by me). I also want to encourage you and give you the nail- by-nail instructions on how to build some of your own furnishings. The TV audience might not know it, but I design custom furniture for just about every room I do on the show. Someone else usually builds it for me now only because the show’s time crunch makes it impossible for me to build it myself. But I’ve handcrafted hundreds of different pieces over the years and I still love it. The great thing about building your own furniture and accessories is that it’s not expensive. It is terribly difficult and it’s so gratifying to know that you’ve created a major design element (or even a minor one) for your home with your bare hands. Your friends will be pretty impressed, too. Really, you’ve got to try it. Keep in mind that you don’t have to overhaul a room completely to give it a striking makeover. Sometimes fooling around with just one or two elements is all you need to do. My goal here is to give you tons of ideas from which you can pick and choose. We’ll talk about walls and floors, lighting and storage, wallpaper and fabric-yes, I’m going to talk xii about wallpaper and fabric.

Interior designing marketing

When the first show aired, my brother called. “Dude;’ he said, “there’s not a dry eye in America right now:’ I was crying, too, even though I was seeing the episode a second time, so the conversation was a little awkward. How, I was wondering, did I get lucky enough to get this job, the greatest, most rewarding experience of my life? And who would have thought years ago, when I was a kid drawing on the walls, breaking furniture, and pretty much destroying my family’s home, that I would someday be destroying and rebuilding strangers’ homes and being thanked rather than sent to my room. You don’t need to have had bad luck or a tragedy in your life to be in need of a big or even a little change on the home front. We all need change.
Change is good, and that’s especially true when it comes to the rooms where you’ve spent a good portion of your life. I’ll even go as far as to say that making changes in your home can completely change your life. Think about it. When you wake up in the morning, the first thing you see when you open your eyes is your bed-room. Does that make you happy or does it only re- mind you of how much crap you’ve got piled up and need to find a place for? Either way, it’s got to affect your outlook-for the day. How ready will you be to tackle the day’s challenges if your first sight reminds you of how you’ve neglected your house? And how cheery are you going to be when you step out to greet your kids, your significant other, your dog, or who- ever if the state of your living quarters has already put you in a bad mood, Likewise, when you come home at the end of a day. If everything is the same as it’s been for years and years-and not comforting-same, but depressing- same-your home will seem stale and, by extension, so might your life. Yet if you’ve taken the time to put some soul and feeling into your decor, things might. Seem quite the opposite. And the alterations don’t ix even have to be major-a gallon of paint goes a long way. It doesn’t matter if you own or rent where you live, it’s your nest, and your habitat-it’s you. Make it an inviting, fun, and relaxing place to come home to.
The key is to design room’s interiors that reflect what you’re all about. Your home should be a place with colors, textures, sights, smells, and sounds that please you. It should be completely personal, the palace you’ve always wanted to live in-even if it’s just a mini version of that lavish pad you pictured. No matter that you can’t afford the Taj Mahal; you can have the Garage Mahal! As long as the rooms are suited to you, it’s going to be great. Changing your home makes you feel like you have a chance to start over. Change begets change. Change the look of your living room and maybe x you’ll look at the world differently.
Change your bed- room and maybe you’ll begin to get a different idea of your future and what you want to accomplish. Every week on EMHE we give people a fresh start in their homes, and it so often translates into a fresh start in life. One thing I’m certain of is that a home is so much more than the place where you eat and sleep. It is-or-it should be-a reflection of all the things that matter to you. What most people need to initiate change is inspiration. I hope that you’ve watched EMHE and thought, “Yeah, my house could use a change, too:’ What you probably don’t know, though, is that there is a lot more inspiration to be gleaned from what we do on the show that never even makes it into the one-hour broadcast. That’s why part of the mission d.

Wooden designs in furniture in interior designing and decoration

Cut down the shoulder to the centre line with a tenon saw, then remove the waste wood by cutting down from the end. e Check the joint for fit and then apply adhesive to the shoulder and face of both parts. Clamp loosely, check the corner with the try square, and tighten the cramp. Trim all M faces of the joint neatly with a smoothing plane and trim the upper frame to fit the alcove. e Set a profile gauge to the shape of the skirting at the height of the lower frame, and then transfer the outline to the timber. Carefully cut out and smooth the skirting shape. o Measure and cut 18mm blockboard for shelves, top board, doors, and foot board. The top board should overlap the finish flush with the lower cupboard fascia. Glue and pin a strip of hardwood to the front edge of the top board of the lower cu pboard. ” e c e Use 2.5 x 2.5cm f1 x 1 in) battens to join the cupboard components.
Cut to length and drill for fixing screws. o Glue the screw battens to the outer edges of the top and bottom panels, and to the front edges of end panels. Join the cupboards and fascia frames by gluing and screwing through the battens on the outside. • The cupboard backs are 4mm fYsin) plywood, glued and pinned into position. o Fix brackets into corners of cupboards. Drill the back through the hole in each one. ;/ • .nl”, )’ , CD e Cut the foot board from 2.5cm f1 in) thick timber to fit between the skirtings and to reach from the floor to the underside of the bottom panel. Drill and screw to the back of the fascia. C Before fixing the cupboards in position, finish the outside with paint or varnish. When dry, position each cupboard and check that it is horizontal using a spirit level.
Mark through the fixing brackets, remove the cupboards, and drill the wall with a masonry bit. Insert wallplugs and screw the cupboards securely into place. 4D Exposed edges of block- board on shelves and doors should be edged by applying a matching iron-on veneer. o Make doors to fit, or buy ready-made doors and adjust them to suit your cupboard dimensions. Screw flush hinges to the backs of the doors and hang them by fixing the flaps of the hinges to the fascia frames. ~ Drill the doors fwith scrap wood behind to prevent burst through) and fit the handles in convenient positions. Finally, fit magnetic catches to hold the doors closed. • • fardrobes ~ he major advantage of a fitted wardrobe is that it makes best use of any available space – you can take it right up to the ceiling and wall, sometimes to both walls, to produce wall-to-wall cupboards.