- Interior TipsInterior design’s biggest enemy is boredom. A well-designed room interior always has, depending on the size of it, one or more focal points. A focal point must be dominant to draw attention and interesting enough to encourage the viewer to look further. A focal point thus must have a lasting impression but must also be an integral part of the decoration linked through interior scale, interior style, color or interior theme. A fireplace or a flat tv is the first example that most people think of when we talk about a room focal point.
- Residential InteriorsFocal PointIf you don’t have a natural focal point in your space, such as a fireplace for example, you can create one by highlighting a particular piece of furniture, artwork, or by simply painting a contrasting color in one area. Try to maintain balance, though, so that the focal point doesn’t hog all of the attention.
- Rhythm In home Interior designingIf we would speak about music we would describe rhythms the beat of pulse of the music. In home interior design, rhythm is all about visual pattern repetition. Rhythm is defined as continuity, recurrence or organized movement. To achieve these themes in a design, you need to think about repetition, progression, transition and contrast. Using these mechanisms will impart a sense of movement to your space, leading the eye from one design element to another.
- RepetitionRepetition is the use of the same element more than once throughout a space. You can repeat a pattern, color, texture, line, or any other element, or even more than one element.
Because of the technological complexity of contemporary planning and building, it is no longer possible for a single architect or interior designer to be an expert in all the many aspects of interior designing that make up a modern building. It is essential, however, that the many specialists who make up a team be able to communicate with each other and have sufficient basic knowledge to carry out their common goals.
Interior Designing Concept
Progression is taking an element and increasing or decreasing one or more of its qualities. The most obvious implementation of this would be a gradation by size. A cluster of candles of varying sizes on a simple tray creates interest because of the natural progression shown. You can also achieve progression via color, such as in a monochromatic color scheme where each element is a slightly different shade of the same hue.
Interior design Transition is a little harder to define. Unlike repetition or progression, transition tends to be a smoother flow, where the eye naturally glides from one area to another. The most common design transition is the use of a curved line to gently lead the eye, such as an arched doorway or winding path.
Finally, contrast is fairly straightforward. Putting two elements in opposition to one another, such as black and white pillows on a sofa, is the hallmark of this design principle. Opposition can also be implied by contrasts in form, such as circles and squares used together. Contrast can be quite jarring, and is generally used to enliven a space. Be careful not to undo any hard work you’ve done using the other mechanisms by introducing too much contrast!
Everything from the trimming on the lamp shade, the color of the piping on the scatter cushion, to the light switches and cupboard handles need attention. Unlike color people find details boring. As a result it gets neglected and skimmed over or generally left out. As color expresses the whole spirit and life of a scheme; details are just as an important underpinning of interior design. Details should not be obvious but they should be right, enhancing the overall feel of a room.
Since at least the middle of the 20th century, the term interior decorator has been so loosely applied as to be nearly meaningless, with the result that other, more descriptive terms have come into use. The term interior design indicates a broader area of activity and at the same time suggests its status as a serious profession. In some European countries, where the profession is well established, it is known as interior architecture design. Individuals who are concerned with the many elements that shape man-made environments have come to refer to the total field as environmental interior design.
It is important to emphasize that interior design is a specialized branch of architecture or environmental design; it is equally important to keep in mind that no specialized branch in any field would be very meaningful if practiced out of context. The best buildings and the best interiors are those in which there is no obvious disparity between the many elements that make up the totality. Among these elements are the structural aspects of a building, the site planning, the landscaping, the furniture, and the architectural graphics (signs), as well as the interior details. Indeed, there are many examples of distinguished buildings and interiors that were created and coordinated by one guiding hand.