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Interior designing and decoration walls with plaster board settings

How to handle plaster boards on the wall interior designing and decoration?

Nail the sheets of plasterboard to the battens using plasterboard nails.
Locating joists
To locate the joists in a top-floor room, you need to climb up into the attic space and take a look. In a boarded attic or in an upstairs room, you need to note where the nails are that fix the floorboards to the underlying joists. If the boards are covered, tap the ceiling in the room below with your knuckles. A “solid” sound and feel indicates the presence of a joist. Alternatively, you will have to make a series of small test holes with a drill to find the joists and then make good afterwards. Supporting noggins can meet each other exactly or be slightly offset. Support it with an off cut while nailing. If a door frame is required, the top should be cut into the studs so that it is firmly supported.

  • Disguising the joints hide the joints between the boards, to use a smooth, professional surface at can then be painted or papered, the ,sowing materials are required: Next, apply jointing tape, pressing it down with a filling knife so that it is well embedded in the jointing compound. o Feather out the edges of the jointing compound with a moist sponge. Allow the compound to dry thoroughly. To fill the joints between the plaster- board, first apply jointing compound to the tapered edges using a steel float. Use the steel float once more to apply another band of jointing compound, 20 cm wide.

Finally, apply another band of jointing compound, this time 30 cm wide. 4 Screen walls Although they don’t offer much benefit in terms of sound insulation and, often, they cannot be used as structural partitions, screen walls are a quick and relatively inexpensive method of dividing up a large space. In this way, different uses can be made of what was formerly a single-activity room.
As well as the traditional Japanese style of screen wall, freestanding “flats” can be used, or a stud work and plasterboard partition can be constructed, which is capable of sup- porting bookshelves and pictures. Above Here, a traditional Japanese type screen is made out of black wooden frame and textured glass. Below Wood finish screen divides the space, and offers different ways of varying the arrangement of the room. • Archways can be an elegant solution to softening what otherwise could be an inappropriately stark or boxy room feature. For example, where a wall that formerly divided two rooms has been removed to create a larger, more open space, a wider arch than is strictly necessary will transform the boring square opening framed by the supporting rolled-steel joist resting on its piers. On a smaller, more intimate scale, an arched opening can be used to link two related rooms, such as a kitchen and dining room or a bedroom and bathroom or dressing room.
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Working With Plaster Board Tools Tips and Guidance for the perfect workout

Interior designing and decoration Plaster board working with tools and tips

The interior decoration tools required for building the frame are hammer, screwdriver, drill, spirit level, and plumb line and bob. A foot lifter, a rounded triangular section of timber cut from 25 x 5 cm softwood is useful for lifting the plasterboard off the floor as you fix it in place at the interior designing and decoration. Buy a ready made door from interior designing and decoration product store, if one is required, rather than try to construct one yourself with the guidance from interior game. Match the door frame and architrave to others in your home interiors. Plasterboard for interior designing and decoration is normally available in sheets 1.2 x 1.8 or 2.4 m long, in thicknesses of 12.5 mm.
The length of board needed depends on the height of the room to suit the theme of the interior designing. Thicker sheets are more expensive but require fewer supports. Working with plasterboard in interior designing requires few tools. A fine-toothed saw is needed to cut it, ivory-side up, although short lengths can be cut by scoring the ivory side deeply with a sharp knife and snapping the waste over a straightedge, cutting through the lining on the backing with the knife. In interior walls holes for light switches and socket outlets need to be marked on the plasterboard with a pencil and cut out with a pad saw or keyhole saw before being fixed in place on the walls of the interiors. Fix the plasterboard to the framework with galvanized plasterboard nails and hide the joints with joint tape and filler sold in interior designing stores. Constructing the framework First, mark on the floor exactly where the wall and door, if required, are to be located to make the interior designing and decoration of your home to be seen as a professional one.
A continuous length of timber, the sole plate, broken only for the door opening, is fixed along the center line. It is nailed or screwed to the floor at 60 cm centers, two fixings at a time. The sole plate can be fixed directly to floorboards, but securing it through to joists will make the structure stronger. Now fix the head plate to the ceiling. Using a spirit level against a straight piece of timber or a plumb line, mark the ceiling directly above the sole plate. Fix a continuous length of timber to the ceiling, driving through the ceiling into the joists. The head plate should be broken only if the ceiling is very low or the door exceptionally high.
Once the sole and head plates are in place, fix the vertical studs between them. Place these at 40 cm centers for 9.5 mm thick board or 60 cm for 12.5 mm thick board and at each side of any opening. Skew nail the studs, using two nails per fixing. For extra strength, fix noggings halfway up the studs, as well as where required for supporting heavy fixtures, such as a washbasin. Snap a string chalk line along the ceiling as a guide for fixing the head plate. Cut vertical studs precisely to length so that they are a tight fit when in place between the head and sole plates. Use long screws to fix the head plate securely into the ceiling joists supporting the plaster. Tap each stud into place with a hammer and check with a spirit level to make sure that each is vertical.
Cutting plasterboard for interior designing and decoration
Cut sheets of plasterboard with the paper lining face downward. Use a sharp, fine-toothed saw for long lengths of plasterboard. Alternatively, for short lengths you can use a sharp knife to score deep lines in the material and then snap off the waste over a straightedge. Cut out holes for switches with a pad saw or keyhole saw after first drilling a starting hole. Sand the cut edges lightly to remove any paper burrs. t e Use an off cut of timber to support a stud so that it does not slip while you nail it to the sole plate. Use glass fiber for sound and thermal insulation, especially between a bathroom and bedroom. o When fitting the plasterboard into place, slip a foot lifter made of wood under the board to raise it to the correct height .
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Interior desiging and decoration fixing Wall Panels and other decorative items on the wall

Interior desiging and decoration fixing Wall Panels and other decorative items on the wall

Fixing the fixtures with plugs

Yet others resemble masonry bolts but are split in such a way that the plug around the stem collapses as the screw is tightened to, If you have a large number of screws to plug into masonry walls, you can save a lot of time and trouble by using a tap- in screw/plug system. form a mushroom-shaped nut. These can be reclaimed and used again if necessary.

Battens

Another way of fixing to a hollow wall is to screw battens to the framework behind and then make the fixings to this.

Adhesives

Although it is true that modern adhesives can perform miracles in certain situations, you should be at least a little cautious about using them instead of nails and screws. This is because the strength of the bond more often than not depends on the adhesion of a layer of paint to the plaster.
If you use adhesive over a broad expanse of wall, however, it is unlikely to let you down. Make sure you remove the grease in the interior surface to which you are applying adhesive, using white or methyl spirit. You can also use a strong detergent, but then you must rinse and dry the surface. Neoprene-based adhesives, which can be squeezed from a tube or gun, are available for fixing thin wall panels. These take up minor irregularities in the wall surface, up to about 6 mm can then drill directly into them and screw in wood screws without having to use toggles or other types of fixing designed for hollow panels.
If it is not obvious where the joists are located – paler strips on the paint work or different notes in response to knocking are often tell-tale signs – drill a series of tiny holes through the plasterboard until you meet.
No matter how much care you take when drilling, you often end up with over-sized holes in masonry and breeze blocks. If the looseness is only slight, insert spills splinters of wood or twists of paper) or matchsticks around the wall plug to take up the slack. Screwing into a tightly fitting wall plug can sometimes be extremely difficult. If so, place a little soap, light grease, or a silicone lubricant on the screw ends before starting.
When fixing objects to ceilings, it is important to discover where the joists are located. Once these have been found, you some resistance. Fixing the plasterboard Cut plasterboard 2. 5 cm short of the partition’s height and hold it firmly against the ceiling while it is nailed to the framework. Fix the boards with galvanized plasterboard nails at 40 cm centers and 12.5 mm from the edge. Drive each nail until the head  surface but does not tear the paper lining. Partition wall of the room that is too large for its requirements often can be successfully partitioned to create two smaller, more manageable spaces that can be used for different activities.
Constructing a partition wall yourself may seem like a major undertaking, however, one requiring considerable knowledge and skill in interior designing and decoration. Happily, the task is much simpler and more straightforward than you might initially think – all that is required is a timber stud framework covered with plasterboard. Bear in mind, though, that such a wall is simply a partition and is not load-bearing. Below A large room may sometimes be put to better use if it is divided into different activity areas.
In the example illustrated here, a partition wall – made up from sheets of plasterboard has been built in order to create an attractive study/home office at the rear of a living room.
Materials and techniques
Making a frame of 7.5 x 5 cm timber is straightforward. The framework must be fixed to the ceiling joists, which is not a problem where the partition is at right angles to them. If it runs parallel, it is best to locate it directly under a joist. Alternatively, noggins can be installed between the joists, but this will probably involve lifting carpets and floorboards in the room above.
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Interior designing and decoration and issues in wall designing and fixing fittings

Problems in Wall interior designing and decoration

When doing interior designing and decoration in the walls, steel reinforcement rods may be present near the surface of concrete blocks. If you encounter one of these, there is no alternative other than to re-site the fixing or screw a wide batten to the wall and fix into that. Fixing holes must be at least 3.8 cm deep in order to penetrate through the plaster and at least 2.5 cm into the solid part of the wall. For a heavy-duty fixing, such as a bracket for a bookshelf, it will be necessary to have 5 cm of the screw thread in the solid part of the wall.

Plugs in the walls

Plugs are made from wood, fiber, or plastic. Plastic is the most common material and is generally satisfactory in brick, stone, and concrete. Many manufacturers make one- size plugs for any screw size between No.6 and No. 12, which means that all the holes for these can be drilled with a single bit – a No.1 2 or No. 14. If the plug is shorter than the hole, turn the screw once or twice into it then tap the screw lightly into the wall before using the screwdriver. Expanding bolts For very heavy loads, such as those taken by pivoting support brackets, expanding bolts are your best choice.
These have a soft iron plug around the stem, which expands to make a tight fit as the bolt is tightened in the hole.

HINTS AND TIPS

Hollow-wall fixings
For hollow walls, those made of plasterboard or wallboard, there are two main types of fixings for heavy loads – gravity toggle fasteners and spring toggle fasteners in interior designing and decoration. Both fasteners consist of a bolt with a specialized nut that folds down the shank as it is inserted through the object to be hung and the board. Once released, however, the nut opens out and grips onto the blind side of the board as the screw is tightened. These fixings are strong and spread the load over a wide area.
Large toggle fasteners can even support the weight of central heating radiators. These fixings are permanent, however, and once used they cannot be reclaimed. Screw anchors Lighter fixings into hollow walls can be made with any of several types of plastic screw anchor. As the screw is tightened, the anchor opens and grips the blind side of the panel. Some screw anchors open like umbrellas, but work on much the same principle.

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Interior designing and decoration is not complete without wall decoration, since the wall plays a major role in the appearance of the room or the hall. For more information on the wall designing and decoration continue the reading on other posts published here. Visit http://www.interiorgame.info  to get complete tips and guidance to make your interior designing and decoration a world class one.
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How to protect Painting Tools in Interior designing and decoration?

Painting Tools and care to save money on Painting interiors 

Interior designing and decoration needs variety of paints and colors to change the theme of the room. Painting tools or painting accessories to be kept in care to make them use for the next time. Here we explain to save money on the painting in the interior designing and decoration. Residential interior designing and decoration needs to be done carefully to attract the friends and relatives to appreciate.
Run strips of masking tape around the edges of the glass where they meet the woodwork. Leave a narrow margin of paint on the glass to form a seal. Use a small brush, holding it like a pencil, and apply paint in the direction of the grain. Peel the tape off as soon as the paint is dry– otherwise it is difficult to remove.

Brush care

You need a selection of different sizes and shapes of brush for many home decorating jobs, but good-quality brushes are expensive to buy. However, if you take the time to look after them properly, they become better and better tools the more they are used and they will give you good service for many years.
Hardware stores, DIY shops, and many large department stores stock a variety of brush-cleaning appliances. These are designed to hold brushes just clear of the bottom of the container so that the bristles don’t become bent and damaged. But if you have many brushes to clean, these can work out to be expensive. As a less-expensive alternative, you can make an effective brush-cleaning device using an old jar of a size appropriate to the brush you want to clean. Suspend the brush in the jar using a piece of string and a long nail, making sure the bristles are held clear of the bottom.

 Storing paint brushes

When you have finished cleaning a brush and while it is still damp, slip an elastic band over the brush tip to hold the bristles firmly, but not tightly, together. Provided the elastic band is not too tight, it will ensure that the bristles keep a good shape, with no stray “whiskers”.When all the brushes are completely dry, place them in a sealed polythene bag to keep them free from dust, and store them so that their bristles stay flat.

Paint care

Rather than discard left-over paint once you have finished a decorating job, you can store any excess by transferring what is left in the can into small, screw-top jars. Choose jars of the right size so that the paint fills them right to the top. If all air is excluded, the paint will keep almost indefinitely like this and can be used later for touching up any damaged areas.
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Interior designing and decoration Painting your home interiors Tips and Guidance to DO IT Yourself

Interior designing and decoration Painting your home interiors Tips and Guidance to DO IT Yourself

Interior designing and decoration tips and guidance provided by the interior game site make your homes a beautiful one and an iconic house in the area. Modern thoughts and guidance will be provided by the professionals i the interior designing industry will be brought to you by Interior game. Here we provide Painting solutions for the living room and kitchen area as well as bathroom interiors. How to paint a house and how not to paint the walls and ceilings are brought to you by the interior designing company.
This is a much less cumbersome way to carry paint around as you work. Paint kettles are also useful because should the paint become contaminated in any way, then only the paint in the kettle is affected. Painting ceilings safely Although you can paint a ceiling from a step ladder, it involves a lot of tiring leg work since you have to climb up and down to move the steps. It is much simpler to  make a platform. Erect the platform so that your head is about 7.5 cm beneath the ceiling.  Brushes, rollers, and paint pads Choose your decorating tools according to the finish you require. For a smooth surface, use a brush, a foam or mohair roller, or a paint pad; for a deeper texture, or to cover a rough surface, use a brush or a shaggy pile roller.
If you prefer to work with a brush, choose the widest you can comfortably handle and work it in all directions, using a dabbing motion to fill in any crevices. If you use a roller, again work in all directions to achieve an even coverage of paint. Don’t roll too quickly or the paint will fly off. Allow the roller to shed all its paint before reloading it. Don’t paint too thick a coating; instead, work two for more thin coats. For the second coat, work the roller across the direction of the first coat to fill in any gaps. With a paint pad work in all directions and also apply two thin coats. Emulsion paint dries quickly so you will not have to wait too long between coats. If you use a roller or a paint pad, you will need a small paintbrush to finish off the corners and edges. Painting interior walls If you choose to work with a brush, choose the widest you can comfortably hold.
Begin at the top of a wall and run bands of paint downward in vertical strips, leaving a slight When using a brush to paint walls, choose the widest brush you feel comfortable with. Start at the top of the wall and work downward. When using a matt emulsion, finish off with criss-cross strokes; with satin emulsion, use light, upward strokes.
Run a roller over the wall in a criss-cross pattern, being careful to merge the joins and fill in any gaps, Finish off using a small brush around the wall edges. Use a paint pad in much the same way as a roller,  applying paint in a criss-cross pattern. Paint pads are especially useful for running along wall edges. Gap between the bands, Then brush across the wall to blend the bands of paint, finishing with light, vertical strokes of the brush. You always produce a better finish if you apply two thin coats rather than one thicker one, If you decide to use a roller, choose one to suit the texture of the wall.
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Painting Interiors – Walls and wooden area painting – Paint requirement and coating

Interior desinging and decoration Painting the surfaces like walls and wooden areas tips and guidance. How many coats of paint to be used on the surfaces of walls and wooden areas guidance.

Painting Tips and Quantity to be used on walls and wooden area 

Textured paper, which can be stripped off more easily, may be a better solution. Painting Quantities in application before you start work, you will need to think about the surface you are painting and how many coats of paint it requires. This will be affected by the porosity of the surface to be painted as well as its texture. To help you plan and estimate the paint you need, the following general guidelines may be helpful: Painting new or bare wood – allow 3 coats: primer + 2 coats primer, undercoat, finish. Repaint – 2 or even 1 coat. Bare walls or ceiling – primer not necessary. Use 1 or 2 coats of emulsion.
Smaller paint quantities – for example, 250 mI, 100 ml, and 50 ml – are available in some brands. If you still find it difficult to “think metric”, it may help to remember that 500 ml and 1 liter are about 12 per cent less than 1 pint and 1 quart respectively; and that 212 liters and 5 liters are about 10 per cent more than the old half gallon and 1 gallon sizes. Calculating quantities To cover a smooth, sealed surface be guided by the coverage indicated on the can.
As a general guide, 1 liter of paint covers as follows: General-purpose primer Gloss paint One-coat gloss Emulsion paint  10-12 sq m 15 sq m 10 sq m 10-14 sq m

Applying paint

Once you have completed the necessary preparation of the surfaces give a final wipe over with a damp, lint-free cloth to remove any fine dust. The number of coats you apply depends on the under-color if any), the type of surface you are working on, and the quality of the paint you are using. It is always better to apply two, or even three, thin coats than a single thick one of topcoat. Always bear in mind that you can not rush the job, and you To work out paint quantities for a given room you should make a simple sketch and divide the walls into easily calculated areas – above the door, below the window, and so on.
Multiply the width by the height of each area and then add them all together. For standard windows with several panes, simply multiply the width of the overall frame by the depth, and treat it as a solid area. For large picture windows, make the same calculation but deduct 50 per cent. For metal windows, deduct 25 per cent. For flush doors, multiply the height of the doors by the width and add a further 10 per cent for the edges. For a paneled door, add 25 per cent. A little extra paint stored in a marked jar is useful for touching up. Squeeze out the excess paint by pressing the bristles gently against the inside of the paint kettle. Must repaint over an absolutely dry layer of paint. o Strain the paint into the kettle before starting. Load the brush by dipping it in to about half the depth of the bristles.
Apply the paint in two parallel strips a short distance apart, working along in the direction of the wood grain. Without reloading the brush, draw the bristles across the grain to spread the paint over the area. Finish off by brushing the paint film lightly along in the direction of the grain. Draw the brush out toward the edge of a surface to avoid affecting the color with a build-up of paint.
Preparing paint
Make sure the tin is free of loose dust and dirt before opening the lid. Check on the tin to see whether the paint needs stirring. If it does, use a length of wood. If you are using liquid paint, decant some into a paint kettle.

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Customized interior designing and decoration

Interior designing and decoration Custom designs

Interior decoration always should be customized. Owner’s of the hall or the office space should be satisfied by the work of the technicians. Interior construction engineers at all stages should be in touch with the pride owner’s of the interiors where the designing and construction work is going on.
Good relations always make for better results in all fields of work. Try to understand the owner’s requirements and problems. Provide the builder with access to electricity and water, if required, and storage space for the tools. Be prepared for a certain amount of mess where the work is being carried out; good workmen will clear up as best they can each night before leaving for home.
Without interrupting the work, monitor progress and inspect work at night after the workers have gone home. If you are unhappy about any aspect of workmanship or the progress of the job, discuss it with the builder in the morning. If you cannot be there, leave a note or telephone to discuss what is worrying you.
Finally, if you are around during working hours, an occasional cup of tea, without holding up the proceedings, works wonders. Right You can make a copy of this checklist

Interior designing Specifications

Give prospective contractors a clear and precise outline of the job before asking for estimates and quotations. Estimates Ask several contractors for an estimate. This will give you an idea of costs and help you narrow down your choice. An estimate may be written or verbal and is a guide only to the envisaged costs; the job itself may cost more, or less.

Interior designing products and work Quotations

A written quotation is a fixed price for the job and should detail how the job is to be done and the materials to be used; it mayor may not include provision for unforeseen problems. It is usually recommended that you get quotations from three contractors. Schedule list If a job is large, a schedule list sets out all the stages of work. It is a good way of keeping track of all the jobs to be done, especially where more than one contractor is involved.
Access You must provide the builder with reasonable access to electricity and water if these are required for the job. Payment Before work starts, agree exactly when payment is to be made and whether there are any conditions applying.
Custom Designs
Customized interior designing and decoration, Interior designing tips and guidance by expert interior designers from interior game. Interior designing products like furniture, tiles, bath fittings, pipes, plumbing materials, lights, tables, wall papers, ceiling tiles, flooring tiles, carpets and window curtains, door knobs and locks, Painting and color choices are explained in the blog.

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Quotation preparation for interior designing and decoration

A quotation is a fixed price for ajob. Before asking a builder to start work, ask for a firm quotation with a breakdown of the costs based on all the points you have discussed; provide a revised specification if necessary. There may be grey areas in the quotation, for example estimated costs for sub-contractors such as plumbers or electricians; you can try to get these firmed up before the job begins or you must be prepared to accept the charges. Make sure that all rubble and debris are to be removed and the site left clean and tidy.
If • Working Contract Set out your requirements and know exactly what a builder intends to supply. This provides the basis of a workable contract between the parties concerned. you require any making good and decoration, make sure that these are included in the costs. You also need to agree in advance how you will pay for the job. A small job can be paid for on or soon after completion. But where ajob is going to last for several weeks or months, and involves the purchase of a large amount of materials, it is reasonable for the builder to ask for interim payments to cover delivered materials and completed work; never pay for anything in advance. You can arrange to hold back 5 to 10 per cent of the costs on completion for a specified amount of time until you are sure that there is no faulty workmanship, but you must agree this with the contractor before the work starts. Finding a contractor Approach several contractors, personally recommended if possible. Ensure they have good references and ask to see examples of their work. ~
Dealing with the unexpected One can never guarantee, especially with a large project, that there will not be any unforeseen problems as the work progresses. If something unexpected has to be dealt with in the course of the work, ask for an estimate before agreeing to do the work. The same applies if you change your mind during the job or you ask for extra work to be done. For large jobs, it is a good idea to ask the builder to provide a schedule list; if an architect is overseeing the job, he or she will draw one up and ask the builder to fill it in. It sets out the stages of work such as building a blockwork wall, installing new wiring, plastering, fitting a sink, ete. As well as his own work, the builder is responsible for the quality of workmanship provided by any specialists he needs to employ.
If you have any concerns over the work supplied by a sub-contractor, discuss these with the builder rather than the person concerned. To avoid confusion, a sub-contractor should be directed by one person only-the person who employed him. If you are hiring individual specialists yourself to help with specific jobs as and when you need them, brief these as carefully and precisely as you would a general builder, and also ask for estimates or quotations for the work. Again, personal recommendation is the best thing to go by and inspecting examples of their work will convince you of their ability.

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Hiring specialists for interior designing and decoration

A compromise could be to do most of the groundwork yourself and hire in specialists, such as plasterers, plumbers or electricians, where necessary. Working much faster than an amateur is able to, skilled professionals can save a lot of time and worry. If you decide that hiring a professional is the answer, whether an architect, general builder or specialist, going about it in a businesslike manner will help ensure you get what you want and avoid potential pitfalls. Left Plans for a kitcben project, shoicing early stages of thinking. Ideas are sketched ill roughly to show suggestions for use of space, [ixtures and [ittings.
Choosing the right professional for the job For large-scale projects, such as major structural alteration or building an extension, it is wise to consult an architect. An architect will discuss your plans with you, be able to make constructive suggestions you had not considered and produce structurally sound designs that also look good. In addition, he or she can submit the necessary planning applications and, if desired, hire the building contractor and supervise the work to ensure it meets the specifications. When hiring a builder yourself it is essential to choose a reliable and reputable person who understands your requirements and can do the job competently within a specified time and according to a budget.
Finding such a builder can be a daunting prospect but thankfully, and in spite of the many horror stories of shoddy work and unexplained absences, there are many reliable ones about. Personal recommendation is a good place to start. If you know someone who has recently engaged a builder, ask to see their work and enquire about how they conducted the job. Failing that, the names of builders can be found in telephone directories and local newspapers. Not all builders do all kinds of work, however, so be prepared for some refusals. Look for contractors who are members of a trade association. Although membership does not necessarily guarantee the work, it usually is dependent on a having a sound reputation as well as bank and insurance references.
A good tradesman is proud of his work and will be pleased to supply you with references for you to follow up where you can inspect examples of his workmanship. Ask more than one contractor for an estimate so that you can compare costs. Estimates will be based on current prices, and may have to change if you do not decide to go ahead with the work straightwaway.
Cost will not be the only criterion in deciding which builder to use. Their attitude and your confidence in their ability to do the job are equally important. Establishing the brief Disagreements between builder and client often arise from a misundertanding as the result of inadequate briefing. The builder may be working to the best of his understanding which, unfortunately, is not what the client had intended. The best way to avoid this problem is to provide the bui Ider with a written specification – a list of the work to be done, the materials to be used and an indication of the required completion date. Many details will need to be revised, but this will give the builder a good idea of your requirements and can form the basis of his estimate for the cost. Before writing a specification, read the relevant chapter in this book to get an idea of the amount and type of work involved.